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Selina Kyle’s creepy AF origin story into the almost-supernatural Catwoman is one of the most frightening and iconic scenes in Burton’s filmography.Īfter being pushed out a window by her depraved boss, Max Shreck (Christopher Walken), Selina crashes through awning after awning before landing sprawled-out on snowy pavement. Some 28 years after its theatrical release, Batman Returns has developed a fierce and passionate fanbase, thanks to Tim Burton’s “all-in” psychological take on the rogues plaguing Batman and Gotham City: The Penguin (Danny DeVito) and Catwoman (Michelle Pfeiffer). Catwoman’s bloody origin in Batman Returns (1992) The reveal of her deformity is only for a few frames, but it speaks to the depravity of its villain and begs the question how something this disturbing made it into a four-quadrant film aimed at selling tons of merch to kids.Ĥ.
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Once Joker took Grissom out of the picture, he decided to turn Alicia (Jerry Hall) into a “living work of art” by scarring her Vogue cover-model face. Alicia’s disfigurement in Batman (1989)ĭirector Tim Burton’s gothic-noir blockbuster pitted Michael Keaton’s black-on-black Dark Knight against Jack Nicholson’s gleefully-murderous Joker in ways that seemingly scratched every creepy itch Burton’s macabre sensibilities had, especially when it came to Joker and his mistress.īefore she was Jack Napier’s moll, Alicia was involved with Gotham crime boss Carl Grissom (a scene-chewing Jack Palance). But it is one of the most memorable (and infamous) scenes in all of Superman’s big-screen history.ģ. Tonally, this bit of techno body horror feels like an outlier in the film. It’s the latter who gets literally sucked into Gus and Webster’s sentient super-computer that gives us our scary scene, when she emerges from the bowels of the machine as a metal-faced, white-eyed android. This Christopher Reeve-starring guilty pleasure pits Superman against super-hacker Gus Gorman (Richard Pryor) and his villainous boss, businessman Ross Webster (Robert Vaughn) and his sister, Vera Webster (Annie Ross). possession in Superman III (1983)Ĭome for Superman III’s Atari-level video game graphics depicting Superman out-flying a barrage of missiles, stay for the unsettling transformation of the film’s No. The de-powering process unfolds with a Cronenberg-level of body horror, as viewers get an X-Ray view inside Superman’s face to watch his Kryptonian biology drain away on the cellular level. While at his Fortress of Solitude, Christopher Reeve’s Kal-El enters a crystal chamber to make himself human for the love of his life, Margot Kidder’s Lois Lane.
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But the theatrical cut also features one of the creepiest and most unnerving moments in DC movie history: Superman’s powers literally being stripped away from him.
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Superman II is one of the best comic book movies ever, full of iconic moments (“Kneel before Zod!”) and some of the genre’s best action scenes. Superman loses his powers in Superman II (1981) Warning: You might wanna read this with the lights on - and be aware of possible spoilers, the scariest thing of all.
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Here are 20 of the scariest moments in superhero movie history (in order of theatrical release). As great as action scenes are in comic book films, the genre also does an exceptional job of bringing us to the edge of our seats in some unsettling ways. While it's expected for a vigilante like Batman, who uses fear to prey on the fearful, to traffic in tropes usually reserved for horror movies, some of his fellow DC heroes - along with some of Marvel’s - also venture into stories that may cause every hair on the back of your neck to stand up. But, sometimes, they also serve as a means to provide the occasional scary scene or three. Superhero movies are an obvious delivery system for epic CG spectacle and heroic action sequences.